The Artist’s Style

April 4th, 2012

Ayn Rand writes in The Objectivist, “Capuletti”, December 1966

 “Le Mur is a tour de force:  it is a still life featuring a solid expanse of old, peeling, blotched, cracked plaster wall.  If ever there was a subject for the modern cults of decay and degradation, this was it.  You would not believe that it could be made beautiful—beautiful and inspiring by the sheer perfection of workmanship; neither did I until I saw it.”

I think this is the painting she refers to:

El Muro
Jose Manuel Capuletti
Oil on linen
19 x 22¾”
1965-55

I suggest that what Ayn Rand wrote about Vermeer applies here, to this particular work by Capuletti:

“One might wish…that Vermeer had chosen better subjects to express his theme, but to him, apparently, the subjects were only the means to his end.  What his style projects is a concretized image of an immense, nonvisual abstraction:  the psycho-epistemology of a rational mind.  It projects clarity, discipline, confidence, purpose, power—a universe open to man.

“…for this present discussion, style is the most important element:  it demonstrates in what manner an art confined to a single sense modality, using exclusively visual means, can express and affect the total of man’s consciousness.”

The Romantic Manifesto, “Art and Cognition”, p. 49 (SC) 

Second Amendment, C. 1970

March 15th, 2012

Lafayette, Indiana.

 

A guy lives in a trailer.  Finds his place broken into every night.  Things stolen.

 

He rigs up an ingenious deal where his shot-gun points at the door if opened when he’s not home.  Sure enough, he’s broken into again one night.



The shot-gun goes off, kills the crook.

 

Goes to trial on something like pre-meditated murder.

 

Verdict:  Not Guilty.

 

Can that happen today?

 

As Ragnar Danneskjöld says in Ayn Rand’s “Atlas Shrugged”, “…violence is not practical.  If my fellow men believe that the force of the combined tonnage of their muscles is a practical means to rule me—let them learn the outcome of a contest in which there’s nothing but brute force on one side, and force ruled by a mind, on the other.”

Not Again!

March 4th, 2012


The Ash Tray
Robert Tracy
Watercolor
5 x 7”
2012

Not really.  This is an old subject of mine, yes.

I know that tobacco smoking is a bad and pernicious custom.  I know, because “everyone knows” that it’s disgusting, dirty, smelly and can cause harm to those around it.  This is not new.  King James I of England described it as “loathsome to the eye, hateful to the nose, harmful to the brain, dangerous to the lungs.”  Perhaps he was the first one to recognize ‘second-hand smoke’ in that smokers hurt non-smokers by “soiling and infecting the air around others.”  He was ahead of his time in these ways.  In 1604, he increased the duty on tobacco by 4,000%.

Yet, Daniel Polling, editor of Christian Herald, wrote in 1918 that “There are hundreds of thousands of men in the trenches who would go mad, or at least become so nervously inefficient as to be useless, if tobacco were denied him…The argument that tobacco may shorten life by five or ten years, and that it dulls the brain in the meantime, seems a little out of place in a trench where men stand in frozen blood and water and wait for death.”

General John J. Pershing said:  “You ask me what we need to win this war.  I answer tobacco as much as bullets…we must have thousands of tons of it without delay.”

I paint these pictures because the subject is personal to me.  I smoke and I like the benefits of smoking.

In December, 2010, I had a tiny 2mm cancerous spot removed from my lung.  Every test since then shows me as “cancer-free”. 

Just saw a Dr. at the VA hospital in Danville, Il. on a separate matter.  She had all my records dating back to my first exposure to the VA in 1987.  Saw that I was a non-smoker for eight years. That I’m a little unusual in that I smoke less than a half pack of cigarettes/day, and quit again for two years in the 1990’s.  She wondered why no one ever put me in for “lung cancer due to exposure to Agent Orange”.   Well it’s done now.  The VA recognizes lung cancer as a result of exposure to Agent Orange in Vietnam.  I didn’t know that.  Doesn’t increase my disability for combat PTST I was awarded in 1987, but I guess gives the VA more evidence that lung cancer in Vietnam Veterans is due to that exposure.

(A Marine Vietnam Vet friend of mine, who never smoked, did come down with lung cancer—since cured.  He was told it was caused by his exposure to Agent Orange.)

I paint these pictures because I like the subject.  (Stand by.  I have two more paintings in the works.  One, a full nude and the other a girl in a landscape.)  The Ash Tray is a work to do while I wait (a work of only some 60 hours) for the other paintings in oil to dry between layers.  

It’s not a “Romantic Artist’s” purpose to depict things the way they are.  Rather as they “might be and ought to be.”

I want to show the beauty of a lit cigarette.  To that end, I purposely made the smoke look elegant.  I want to show that smoke rising as a kind of ‘dance’, like a waltz or as one sees in the delicate movements in a ballet, “…a gracefully effortless floating and flying” –Ayn Rand, The Romantic Manifesto, “Art and Cognition”. p. 68 (SC).

I hear that smoking is “dirty”, “disgusting”, “ugly” and “as everyone knows, is damaging to one’s health.”  That it’s a “bad and pernicious custom” as Christopher Columbus called it after having discovered it among the treasures of America.  One of Columbus’ crew mates, Rodrigo de Jerez, made Columbus a little leary, not seeing any worth in tobacco.  The Catholic Church associated it with the “godless ‘Red Indians’ and outright heretical.”  Later, Jerez was interrogated by the Spanish Inquisition and imprisoned for seven years for the crime of being an unrepentant smoker.   

I want to show a simple still life of a cigarette as a lovely thing; ignoring the “everyone knows” ‘knowledge’.  Incidentally, my wife has never been bothered by my smoking.  Doesn’t accept the “science” of second-hand smoke, and actually finds my smoking attractive to her.

My “The Ash Tray” is my view of a thing that has personal meaning to me.

That’s all it is—again.

 

What Does an Introvert, Loner, Recluse Gain?

February 23rd, 2012

I, who am a self-described one or all of the above, do recognize and accept the importance and value I’ve gained—from time to time—in a “social environment”.

Aside from the necessarily private values and interests shared with my wife, I have few friends and don’t see or hear from them often.  In my “desert island”, which is the house I share with my wife, these few friends have seen first-hand that it’s no contradiction to claim the above, and see it’s really not a “desert island”.  And I know the gain to material and spiritual profit between these few friends is reciprocated.  Interestingly, most of my friends are scientists and I’m really stupid in all sciences, but hold great admiration for those who have studied and know the sciences.

The Astronomer
Johannes Vermeer
Oil on canvas
20 x 18”
c. 1668

How does all this work?

“Men can derive enormous benefits from dealing with one another. A social environment is most conducive to their successful survival—but only on certain conditions.

 ”The two great values to be gained from social existence are: knowledge and trade. Man is the only species that can transmit and expand his store of knowledge from generation to generation; the knowledge potentially available to man is greater than any one man could begin to acquire in his own lifespan; every man gains an incalculable benefit from the knowledge discovered by others. The second great benefit is the division of labor: it enables a man to devote his effort to a particular field of work and to trade with others who specialize in other fields. This form of cooperation allows all men who take part in it to achieve a greater knowledge, skill and productive return on their effort than they could achieve if each had to produce everything he needs, on a desert island or on a self-sustaining farm.”

 –Ayn Rand, The Virtue of Selfishness, “The Nature of Government”. p. 107 (SC)

 

 ”Just as egoism does not mean retreating to a desert island, so independence does not mean rediscovering on one’s own the sum of human cognition. The ability to profit from the thinking of others is the time-saver [emphasis mine] that makes human progress possible. One should, therefore, learn as much as he can from others. The moral point is that he actually be learning, i.e., engaged in a process of cognition, not of parroting.

 “In a division-of-labor society, no one produces by himself all the goods and services that his life requires. What he does produce is an economic value he can offer to others in exchange for the things he wants; he produces the value-equivalent of the goods and services he seeks.  A man who deals with others by this method is the opposite of a dependent. He relies on his own power of creativity in order to survive. He counts on the value of his work being recognized by rational men, not on getting favors from any person or clique. He is not restricted to dealing with a clique; potentially, the whole world is his customer.  Nor does he benefit from a policy of conformity. In a free country, intellectual independence and material wealth tend to be concomitant; the more a producer exercises his own best judgment regardless of the momentary notions or passions of the crowd, the more economically successful he becomes.”

–Leonard Peikoff, Objectivism: The Philosophy of Ayn Rand, “Virtue”. p. 256-57 (HC) 

 

A Winter’s Tale

February 21st, 2012

The beginning of a new site:  ”For Linda“.


The Old Drinker
Gabriel Metsu
Oil on panel
8.7 x 7.7″
c. 1657-58

The Life Raft

February 8th, 2012

The Life Raft
Robert Tracy
Oils on canvas
4 x 6”
2012

I can hear it now.

Sometimes I wonder if the beginning of the government control over every aspect of the life of the individual started, in large measure, with the Surgeon General’s warning against cigarette smoking in 1963.

But this is Art, not propaganda.

Consider this:

“The fact that one agrees or disagrees with an artist’s philosophy is irrelevant to an esthetic appraisal of his work qua art. One does not have to agree with an artist (nor even to enjoy him) in order to evaluate his work. In essence, an objective evaluation requires that one identify the artist’s theme, the abstract meaning of his work (exclusively by identifying the evidence contained in the work and allowing no other, outside considerations), then evaluate the means by which he conveys it—i.e., taking his theme as criterion, evaluate the purely esthetic elements of the work, the technical mastery (or lack of it) with which he projects (or fails to project) his view of life . . . .

Since art is a philosophical composite, it is not a contradiction to say: “This is a great work of art, but I don’t like it,” provided one defines the exact meaning of that statement: the first part refers to a purely esthetic appraisal, the second to a deeper philosophical level which includes more than esthetic values.”

–Ayn Rand, The Romantic Manifesto, “Art and Sense of Life,” p.42 (SC)

One’s life belongs to him. Most know the health risks involved in smoking. For those who condemn one’s choice to smoke, I ask you, why “…the passionate resentment and uncontrollable rage which [you] do feel and exhibit” (–Ayn Rand, The Romantic Manifesto, “Art and Moral Treason”, p.149) toward his choice?

My wife has had one, and only one, cigarette in her life. We were on the highway in Pennsylvania, headed for Philadelphia. It was December 1989. It was approaching midnight. The snow was so hard no one was driving but the big-rigs—and I, who drove through that stuff only to get as far as Harrisburg, some two hours away. My wife says, “I felt I felt like I was suffocating and I think at one point I rolled the window down for some air, but it didn’t stay down long because of the wicked weather. I was upset with my husband because he wouldn’t pull over. But we survived. He did a hell of a job. I certainly couldn’t have done it. My heart felt like it was going to pop right out of my chest. Never had claustrophobia so bad. Once we got there, he pulled off to a gas station for coffee and a Coke for me. First thing I said was ‘give me a cigarette’.” My surprise turned to understanding. That cigarette was, for her, a life raft.

Tell me something I don’t know about the harmful effects of smoking. And I’ll tell you something you ought to know about smoking’s positive effects.

From the book The No-nag, No-Guilt, Do-It-Your-Own-Way Guide to Quitting Smoking by Tom Ferguson, M.D., he writes in his chapter on “Smoking as a Psychological Tool” that “nicotine seems to provide a surprising variety of psychological effects. The net effect is a temporary improvement…that is experienced by the smoker as enhanced pleasure, decreased anxiety, and a state of alert relaxation. And these effects were not only observed by the smokers we interviewed; they have been studied and described by many researchers. It is now a well-documented fact that smoking helps smokers control their moods.” (emphasis in the original) Thus smoking gives smokers a great deal of control over their own nervous systems. As Christen and Cooper write, “The person who has never smoked cannot possibly understand the depth of affective satisfaction derived from this habit.”

–Arden G. Christen and Kenneth H. Cooper, “Strategic Withdrawal from Cigarette Smoking,” CA: A Cancer Journal for Clinicians, Vol. 29, No. 2, pp. 96-107, 1979.

“Nicotine seems to help smokers feel less overwhelmed by disruptive or distracting stimulation in their environment and makes it easier for them to concentrate on the task at hand.  Smoking thus provides smokers with the ability to improve concentration and increase their powers of vigilance and attention. Nicotine can help one deal more effectively with stress, giving them a strong sense of control. Smokers smoke because of the very real benefits that smoking provides.” (ibid.)

 Of course one needs water and food to survive the sinking of a ship. If one has survived that, consider that a cigarette might go a ways to surviving long enough to find these. 

 

Organizing and New

January 23rd, 2012

Simplified my site at:

 

Added a new link:



This takes you to semperfigraphics.com.  I’ve owned that domain for more than five years but never did much with it.

Semper Fi is short for Semper Fidelis, the Marine Corps greeting, meaning “Always Faithful”.  I subscribe to that greeting and use it plenty between and among my fellow Marines.  Twelve years of Catholic education, with four semesters of Latin, I like my alternate translation, “Ever True”. 

Spent a couple days creating things for the first two pages.

Enjoy!  Or not….

 

For Linda

January 16th, 2012

N.C. Wyeth Favorites

You said, “who is that artist. Find more….let me know, ok?”

Sorry for the scans. Best I can do from that old book.



The Plains Herder
Oil on canvas
37¼ x 28¾”
1908

 


Moose Hunters—A Moonlit Night
      Oil on canvas
      40 x 21½”
      1912



The Scythers
      Oil on canvas
      37½ x 26¾”
      1908



Mowing
      Oil on canvas
      37½ x 27”



The Springhouse
      Tempera on wood
      36 x 48”
      1944



Self Portrait
      Oil on canvas
      18¼ x 12¼”
      1913



Ole St. Nick (Old Kris)
Oil on canvas
41½ x 31”
1925

Greed

January 16th, 2012


Graphic by Robert Tracy in Photoshop

“I know that this stands for something.”

“The dollar sign? For a great deal. It stands on the vest of every fat, piglike figure in every cartoon, for the purpose of denoting a crook, a grafter, a scoundrel—as the one sure-fire brand of evil. It stands—as the money of a free country—for achievement, for success, for ability, for man’s creative power—and, precisely for these reasons, it is used as a brand of infamy…Incidentally, do you know where that sign comes from? It stands for the initials of the United States.”

Atlas Shrugged by Ayn Rand. p. 683 (HC)

Great Digital Art

January 15th, 2012


Good Arrowhead
Sasha Beliaev
Photoshop



Little Girl
Sasha Beliaev
Photoshop



Happiness is a Bluebird
Jose Manuel Fernandez Oli
Photoshop